《第一炉香》意象:空间塑造女性主体

03 / PIONEER

走进房间。ENTERINGthe house.

《第一炉香》中的空间与女性主体Space and the female subject in
The First Incense Burner

研究摘要Abstract

本研究将梁宅视为殖民现代性塑造葛薇龙主体性的机制。异质的空间安排、物质消费与东方主义的观看方式,逐步改变她的自我感知与欲望。This study treats the Liang residence as a mechanism through which colonial modernity shapes Ge Weilong’s subjectivity. Heterogeneous spaces, material consumption and Orientalist modes of looking gradually reshape her self-perception and desire.

房间之内Withinthe house.

房间之间交织的路径,象征空间对人的塑造

异托邦Heterotopia

东方主义Orientalism

殖民现代性Colonial
modernity